Welcome to Film Legalese, where our dedicated panel of legal pros are here to clear your cinematic doubts! Please note, the information shared here is general knowledge and should not substitute specialized legal counsel.
Q: I’ve often heard that showcasing U.S. currency in movies is prohibited, yet I’ve spotted it in many films. I’ve been using faux money for photography which, although looking genuine, carries a “not for legal tender” watermark on both sides. I’m gearing up for a film shoot that demands the use of cash props, and I’m wondering if the bills I possess are potentially problematic.
David Albert Pierce, Esq.: The notion that U.S. currency can’t be filmed is a myth. The U.S. Code contains a provision titled “Printing and Filming of United States and Foreign Obligations & Securities” (18 USC 504). It basically states that for film and TV purposes, U.S. and even foreign currency and securities can be showcased on screen.
Regarding the ‘prop money’ you’ve designed, it’s actually more straightforward to use real currency for filming. If you decide to stick with your fabricated money, ensure you’re aligned with “The Counterfeit Detection Act of 1992” (31 CFR 411). This law emphasizes specific dimensions for prop money, insists on one-sided designs, and mandates the destruction of all materials (like negatives or digital files) used in its creation after their intended purpose is fulfilled.
Given these stringent stipulations, many filmmakers opt for real money. But, obtaining large denominations like hundred-dollar bills might be challenging. If you intend to enact scenes involving the destruction of money, say by burning, make sure you utilize your prop currency and follow the Counterfeit Detection Act’s guidelines. Burning real money is an offense, as stated in 18 USC 333, which forbids any act rendering the currency unfit for re-circulation.
David Albert Pierce heads Pierce Law Group LLP, a niche entertainment law firm emphasizing employment law consultation for indie film and TV productions. He has rendered legal services to renowned projects like “Amazing Race,” “Oprah’s Big Give,” and many productions from View Films, to name a few. He’s also extended his legal expertise to eminent entertainment entities like Morgan Creek Productions, Starz!/Encore, Cartoon Network, Film Roman, and Lions Gate.